If you mainly remember Captain & Tennille from your jaunty mid-"70s pop-rock love songs, the existence of 1979"s "Do the to Me One an ext Time" as their 2nd and final elafilador.net hot 100 No. 1 could…


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Toni Tennille and also Daryl Dragon the the Duo Captain and also Tennille pose because that a portrait in 1980 in Los Angeles.Harry Langdon/Getty Images

Forever No. 1 is a newelafilador.netseries that pays special tribute to the newly deceased artists who achieved the highest honor ours charts have to offer —a elafilador.net warm 100 No. 1 solitary — through taking an extended look ago at the chart-topping songs that made them part of this exclusive club. Here, we again honor the late Daryl “The Captain” Dragon through diving right into his and Toni Tennille’ssecond No. 1 hit as Captain and Tennille, the 1979 sluggish jam “Do the to Me One more Time.”

If friend mostlyremember Captain & Tennille from their jaunty mid-’70spop-rock love songs, the presence of 1979’s “Do that to Me One much more Time” as their 2nd and last elafilador.net warm 100 No. 1 can be a tiny jarring. The song largely loses the complicated keyboard layering and punchy rhythms that Daryl “The Captain” Dragon was best known for producing, in favor ofa slow-and-low R&B groove, suitable with among the most sensual vocals and also lyrics of any hit song from its era, courtesy the frontwoman Toni Tennille.

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“Do That” wasn’t completely without criterion in the Captain & Tennille catalog.Their 2nd hit, following the breakout chart-topper “Love Will keep Us Together,” to be the No. 4-peaking“The means I want to Touch You,” whose toggling in between slow-paced, piano-led verses and a much more urgent, full-band chorus, lugged echoes of ’70s singer-songwriters Carole King and LauraNyro. However the tune separated itself through Tennille’s vocal — breathy, yearning, alternatelyhushed and piercing — which suggested a level the desire far past what most of the duo’s soft-rock contemporaries were willing come commit to. That wasn’t quite complete R&B yet, yet it argued they could get over there eventually.

Beyond their levels that lust, “The Way” and also “Do That” have another thing in common: They to be both created by Toni Tennille. That made them somewhat anomalous in the duo’ssingles catalog, as many of their greatest hits to be either covers (The Miracles’ “Shop Around,”Willis Allan Ramsey’s “Muskrat Love”) or penned by resurgent singer/songwriter Neil Sedaka (“Love Will save Us Together,” “You never Done It like That,” “Lonely Night (Angel Face)” — the very first two likewise co-written through Sedaka’s longtime creative partner Howard Greenfield). However Tennille to be hardly there is no chops of her own, having already written the music because that the eco-friendly rock productionMother Earthand prove herself an accomplished touring musician v the beach Boys. And though that was just their second song to end up being a hit,“The Way” was in reality Captain & Tennille’s an initial official A-side release, help them land your original address A&M Records.

But that course, it to be “Love Will store Us Together” that captured on first, snowballing right into one of the biggest hits the the ’70s, and setting the course because that the duo’s next couple years of massive popularity. By the so late ’70s, however, Captain & Tennille’shitmaking to win streak had an ext or less pertained to an finish —after 5 consecutive top five hits (not count the No. 49-peaking Spanish version of “Love Will store Us Together”), only one of their next six singles even hit the top 10, 1978’s No. 10-peaking “You never ever Done It like That.” their album sales produced an even much more dire case — 1978’sDreampeaked in ~ a meager No. 131 top top the elafilador.net 200 — and the duo parted means with A&M.

Their an option for a new label would certainly prove inspired: Casablanca Records, led by well known record exec Neil Bogart, which had struck yellow in the disco era —particularly through its greatest solo star, Donna Summer. The genre’s breakout in the late ’70s had totally shifted the center of well-known music, and also by 1979, well over half the year’s No. 1 singles were disco. However, the finish of 1979 also saw a return to prestige on the charts for huge balladry, together smooth, synth-powered sluggish jams fromRobert John and Styx topped the warm 100 — together with “Please Don’t Go,” the first major ballad because that disco sensations KC & the Sunshine Band, and also the an initial No. 1 hit of the 1980s.

Captain & Tennilletried dipping a foot into disco through Make her Move, their an initial album for Casablanca. The duo revolutionized their image, with the formerlybrunette Tennillegoing blonde and Dragon cultivation out a Burt Reynolds mustache, even ditching his trademarkcaptain’s hat on the LP cover and in advancement photos. The bubbling bass, glitching synths and insistent to win of “No Love in the Morning” acquired them at least halfway to the run floor, while the stomatic beat, fire-and-desire lyric and also seven-minute runtimeof “How have the right to You be So Cold” observed Captain & Tennillefully committed to doingMoroder and Summer. The play-acting to be taken even further v the album’s barnstorming “Happy with each other (A Fantasy),” i beg your pardon attempted to execute with the Turtles’ 1966 No. 1 hit what their labelmates had accomplished with their variation of Richard Harris’ “MacArthur Park” a year earlier.

But also with all these disco excursions, it was an additional song that caught the fist of Neil Bogart top top the Casablanca president’s an initial visit come the then-married couple’s home to hear Captain & Tennille’snew material. “Do that to Me One an ext Time” to be the final tune the the duo played because that Bogart, not thinking much of it. “At the an extremely end i said, ‘Well, I’ll play friend this small tune. It’s not much however it might make a an excellent album cut,"” Tennilleremembered come Fred Bronson forThe elafilador.net publication of Number One Hits. “So i sat under at the electrical piano and played ‘Do the to Me One more Time.’ Neil said, ‘That’s a smash! There’s no doubt in mine mind that’s going to be your very first single."”

It’s not hard to see what drew him come the song: as well as its soon captivating melody — prefer “Love Will store us Together,” the song kicks ideal off with its title and strongest vocal hook — “Do the to Me One much more Time” was an instant attention-grabber because that its lustful, borderline-explicit-sounding lyrical conceit. “The way That I desire to Touch You” may have actually been decently suggestive, yet for the most part, Captain & Tennille were seen as awholesome pop-rock duo,family-friendly sufficient to be offered their very own hit primetime range show ~ above ABC. Tennille’sopening insistence the “Do that to me one more time/ when is never enough, through a man like you” didn’t quite set off the censors, but it absolutely said enough to let people know the the job of “Muskrat Love” were over because that the duo. She contralto croon likewise proved perfect match for the ballad — light and also flexible sufficient to effectively convey the song’s sighing ecstasy, but strong and considerable enough to showthat she’s woman enough to handle the double shot of her baby’s love.

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And the Captain, as the song’s producer and primary instrumentalist, provides Tennille v the warm, lush backing monitor to effectively sell the vocal’s gleeful feeling ofoverindulgence. Gauzy secrets pair and also harmonize v a pair the acoustic guitars, if a subtly busy base line percolates throughout, anchoring the song and preventing itfrom ever becoming too wispy. In a sort of Captain & Tennilletrademark, the tune is summary interrupted by an unusual crucial solo — in this case, sax legend Tom Scott (ofTaxi Driverand “Listen come What the guy Said” fame) messing about on a lyricon, an digital wind tool briefly popular among blend artists the the late ’70s and early ’80s. And also of course, no tune begging because that one an ext go-round would be finish without a big key change prior to the last verse, or an extended outrothat allows the rapture store swirling and also echoing for a final post-climactic minute come close.